Monday, November 5, 2012

Book review: Fireproof by Celeste Auge

It could be said that Fireproof is about the misfits in life, except as we read further we realise that we are identifying with some of the characters, so what does that say about us? Fireproof and other Stories by the Irish-Canadian writer Celeste Auge, is a collection of sixteen short stories published by the small publishing house Doire Press - and I think they have landed a gem.

Auge is a creative writing teacher surely on the cusp of wider recognition, having won a number of minor writing prizes and a commendation from the Sean O'Faolain Short Story Competition. And some of them are short, with 'It's Happening Again' at just less than two pages- but then my favourite Raymond Carver short story, the powerful and enigmatic 'Little Things' is the same length-so never underestimate the power of the 'short' short story.
The stories have a sense of oddness balancing out the ordinary in life. In 'Fireproof' we follow the development of an odd precocious child, trying to cope with identity and language as she moves between countries and also between the nationalities of her parents and how that affects her choice of words. In 'Touching Fences' we see a woman who tries to balance fear of sinking into the ordinary by 'shocking' herself into life and 'Molly Fawn' also has a fear of getting stuck in a rut. Each story presents the ordinary life (i.e.working in a supermarket) with the not-so-ordinary characters feelings about this life. Or are these strange characters more ordinary than we like to admit? That seemed to be the question running through my head as I moved further through this book.
Auge's feelings are not unique, but the way she manages to elucidate them through her prose so that the reader can feel compassion for the character or identify with them is certainly a talent. She somehow plumbs the depths of our hidden fears and just puts them out there on the page for all to see.

Celeste Auge will be at the Dublin Book Festival on Thursday 15th November at 12.20pm-1.00pm in the launch area of Smock Alley Theatre where she will read extracts from Fireproof.
www.celesteauge.com
www.doirepress.com
www.dublinbookfestival.com

Sunday, November 4, 2012

Dublin Book Festival: 13-18 November 2012.

November is finally upon us. You're thinking "are you mad?" November equals cold, rain and darker nights doesn't it. Well yes, but it also is the month of this years Dublin Book Festival, starting on the evening of Tuesday 13th November and running through to the evening of Sunday 18th.

Going from strength to strength each year, this is the fifth festival to be this year in the newly renovated Smock Alley Theatre on Wellington Quay, Temple Bar. It's a lovely building with a great room upsatirs for holding such events so it should be good. The programme is chock-a-block with events to have book lovers drooling at the mouth. Many are free, which is great. A timetable can be downloaded here http://www.dublinbookfestival.com/dublin-book-festival-2012-programme-2/ .
Some of the events are also to be held just round the corner in that great little bookshop The Gutter Bookshop on Cow's Lane.

With a Dublin Book Festival Bookshop with reading area and tea shop, author books signings after each event plus the funky (can books/authors be funky?!) sounding Dublin Book Festival Club upstairs in the Odessa Club on Dame Court you'd be mad not to pop in at some stage over the festival period.


Saturday, November 3, 2012

Kate Mosse in Conversation at Pavilion Theatre

The Pavilion Theatre, Dun Laoghaire is slowly filling, mainly with women and some clutching books, to hear Kate Mosse talk about her latest historical novel, the final one in the Languedoc trilogy, Citadel. The stage is set with two leather chairs and with a lovely background of jazz music we await the arrival of the author.

The 'In Conversation With' is part of the DLR Library Voices series, this being the last in the series. Introducing the interviewer and author, Bert Wright describes them as self-confessed luvvies. Mia Gallagher, former writer in residence at The Pavilion, comes on stage to give us a thorough background of the work of co-founder of the Orange Prize and author Kate Mosse. Comedic in her reception of such a great introduction, Kate Mosse joins her to tell her audience how her books came about.
Visiting Carcassonne in South West France first in 1989, Mosse knew nothing of the area on arrival which she thinks was important. She told us how she fell in love with the region and that she wanted to tell not only the history of the place but also the hidden women's history. This she has told in her previous two Languedoc novels Labyrinth and Sepulchre  and the end of the story has now been told in Citadel  the final novel in the trilogy.

A slight figure in giant wedged heeled creepers, Mosse is however a giant storyteller. Certain periods in history 'leave her cold' she told us but other talk to her.The story of the South West is different Mosse explains; Jews were saved out of this area, 30,000 out of the 40, 000. The Cathars she says are 'bloody-minded and independently spirited.'  Many women in Carcasonne were involved in the resistance and Kate has met them in person. She tells how key street in Carcasonne are named for the resistance fighters, a sign of the sense of shame of the active collaboration in World War II. The date of the deaths on street names are all the same she explains-the whole resistance were caught and murdered on the same day, but not the women. But this novel is the story of the women written out of history.
An admirer of Emily Bronte, Willa Cather and Eliot amongst others, Mosse writes about the crash of war and faith, pushing civilisation forward. The nature of the landscape is particular to the story. Mosse finds the landscape calming in relating to those who have walked the landscape before her and will walk it after. The land encourages and holds the story as we just pass through it. Her sense of knowing the past lives comes out in her ghost story The Winter Ghosts and she commented on the fine line between what's recorded as history and what's folklore. Talking of her new novel set in Roman times and in World War II she explains that to her the Second World War isn't the past but is living history, living as she does with elderly parents and also with people in Carcasonne who are in their eighties. Her knowledge of the area from her research is astounding. She explains that she spent three years researching her latest novel; book and museum research, testimonies and physical research- climbing mountains and learning to shoot a gun. Dedication indeed!
 Carcassonne's Citadel
Mosse believes liberation comes from the right to read and quotes literacy rates in the UK. Texts from the past can be held and you can think of who wrote them and held it before you, however long the time period that separates us. Touching on her own childhood, she tells how her father read adventure stories to her as a child, Rider Haggard's She and King Solomon's Mines, simple tales of daring-do. And Mosse's stories are adventure stories. The adventure story, an old-fashioned genre, comes with an action plot, the idea of right of wrong and the promise of resolution- good will find its way. But Mosse hopes her tell stories have a more serious message.
Talking about the Orange Prize, now Women's Prize for Fiction, Mosse decides her final word on the subject of its validity is to ask why it is a bad thing to celebrate women's achievement. The fact is that the prize has transformed many writers' lives. She's an appealing character, chatty, comedic and unpretentious and tells her audience how on the Scott Moncrief show someone had sent a text in to the show saying "Women just write crap books-get over it"!!
Now in her fifties, what is next for her? Labyrinth has been made into a two part six hour movie for TV by Ridley Scott with a great cast due out next May. A play is on the cards, Queen of Jerusalem, written for more mature actresses, after which she will commence her next novel based closer to home, maybe Sussex where she lives when not in Carcassonne.

My thanks To Mia Gallagher.

Friday, November 2, 2012

Skerries Mills links up with Millers from USA

Millers and educators made their way to Skerries all the way from Fulton, Illinois which has Dutch heritage, where they spent four days learning about the culture and history behind Irish windmills. Coming over in mid-October from de Immigrant Windmill, a Windmills Cultural Centre which represents ten countries they visited Skerries Mills which has a water mill, two windmills,a cafe and a gift shop. The exchange programme is to be a learning experience for both mills.

One of the educators said "It was a great experience. The people were some of the friendliest and happiest I’ve met, despite the state of their economy.” From Skerries they visited twelve other Irish mills.

www.skerriesmills.org
http://www.cityoffulton.us/windmill.php

Dream Spa in exotic location...

  
So you're looking at these beautiful photos thinking, where is that place, isn't it gorgeous...


Some exotic location in peaceful idyllic surroundings...

It's Portrane, North County Dublin! Can you believe it. I just found this place, searching for a party location, as you do.
It's called Longacres House and it's a 'private boutique coastal spa residence' on The Burrow Peninsula which is a conservation area and is next to Portrane. It's got six bedrooms and has an indoor solar heated swimming pool. It's available for hire - I wouldn't like to think how much for but who would have thought such a beauty lurked on our north coast?
www.longacreshouse.com     

Free or Cheap Dublin

Welcome! I thought I’d put together a list (I love lists!) of ten things to do for free or very cheaply in Dublin. It always surprises me how people don’t utilise what’s free out there or just plain don’t know about it- so here goes. And don't just skip over the cultural ones-give it a go, you never know you might like it!

Numero uno: The Gallery of Photography on Meeting House Square.

Walk in the door and turn immediately right, saying hi on the way to the impossibly cool photography dude/dudette on the till and head upstairs to the two floored gallery. The thing that’s nice about this gallery is it changes its exhibitions regularly and that there’s just enough not to get bored. Twenty five to thirty mins in and you can say, “Right, that’s enough culture, off to get a hot choc/pint.” www.galleryofphotography.ie 

2. The Screen Cinema, D’Olier Street
It’s round the corner from Grafton Street, it’s scruffy in a comforting kind of way and their website has all that 50s cupcake style going on. They play classic films, student prices are €5 on Mondays, plus if you wanna get all literary on us they stream Shakespeare’s Globe and The Met productions amongst others. www.screencinema.ie

3. Accents cafe on Stephen Street Lwr

Great tasting coffee for €2.50 in a big bowl of a white cup, polite staff, comfy leather sofas plus a book shelf- what’s not to like? They’ve a lounge downstairs where they hold evening events and hobby group meet-ups and are open until 11pm for that late night cuppa ‘n a bun, the owner is trying to promote an alcohol free environment and good luck to her. http://accentslounge.wordpress.com

4. 'Like' your interests on Facebook

This might sound obvious, but you’d be surprised what’s on offer out there. Discounts, free evenings, specials for ‘friends of’. Anything you’ve a vague interest in- pubs, cafes, comedy nights, galleries-whatever rocks your boat, get them liked and see what comes your way.

5. Who’s on Netflix?

It’s pretty crap yeh, in terms of new films but as per the previous post, like them on Facebook and you’ll get up to the minute info on new series coming to Netflix and when new films are added.

6. First Wednesday
If you’re not working/in college on the first Wednesday of the month, did you know it’s free in to all OPW sites such as Dublin Castle? www.heritageireland.ie/en

7. ...and First Thursdays sees galleries in Temple Bar open in the evening www.templebar.ie

8. Bewley’s Cafe Theatre on Grafton Street
 
Relatively cheap (between €8 and €12 depending which day you go), diverse in its programme, price includes a big bowl of soup and brown bread, and if you don’t like it it’s usually over in 45mins-one hour so you haven’t long to wait to leave. In truth these productions are usually great. Intimate and feeling kind of exclusive, you climb up the stairs to the top floor and as the curtains are drawn over Grafton Street at lunchtime, hopefully you’ll think this was money well spent. www.bewleyscafetheatre.com 

 9. Lunch at The Bailey on Duke Street
Ok, it’s not haute cuisine but tapas (3 ham or chicken croquettes €3.50) + house red wine (€5) + espresso (€1.90) on a day when it’s comfortable enough to sit outside is a cheap enough way to spend an hour watching the comings and goings of Grafton Street whilst watching the handsome waiters from the corner of your eye.  www.baileybarcafe.com

10. It’s raining, you’re broke, and you’ve 45 minutes till you meet your friend
Duh, that’s what first floor Hodges Figgis is for. Comfy couch, exotic travel books, lounge back with a colour photograph book and dream of all those places you’ll never visit.


 

Thursday, November 1, 2012

Book Review: Up The Republic! ed.Fintan O'Toole

Up The Republic! Towards A New Ireland edited by political and cultural commentator and Irish Times assistant editor Fintan O'Toole has an interesting front cover by Jorn Kaspuhl of a man pushing Ireland out of deep water, following on from the image of the euro sinking on his previous book Ship of Fools. In this run up to 2016, whether this is possible and the reality of Ireland as a republic is addresed by eight of Ireland's leading scholars. And it is a hefty weight of contributors made up of lecturers, poets, editors and professors so we should pay attention.
 
Fintan O'Toole kicks off with a discussion titled 'Do You Know What A Republic Is?' addressing the history of republics and of which type Ireland is, commenting that 'it is obvious that the Irish people as a whole have taken spectacularly bad care of their republic. if it was a child the social workers would have come for it long ago' and asks how to begin again. O'Toole's answer is by recognising that the half republic we had between 1922-2008 is gone for good. His essay is truly food for thought, in particular his summary of the differences between austerity in post-war Britain (narrowing the gap between top and bottom) and austerity Ireland which has dramatically widened the gap between lowest and highest earners creating a class divided society.
 
Iseult Honohan, political and international relations lecturer at UCD addresses 'The Republic as a Tradition and an Ideal in Ireland Today.' Considering republican ideals, what it can offer today and more specifically Irish republicanism with its challenges and pitfalls, mainly populism with its sometimes simplistic solutions, 'over emphasis on service or the responsibility of citizens at the expense of overpowering them', taking other models as blueprints (i.e. France) and of isolation by withdrawal from international institutions. As`Honohan points out 'republicanism cannot simply be taken ready-made off the rack.'
Elaine Byrne, political science lecturer at Trinity College Dublin takes on the subject of 'The Democracy of a Republic', reminding us early on that democracy rule by the people does not mean that it is actually democratic. Confused? Byrne's argues that democracy is flawed with majority rule manifesting itself in world parliaments dominated by well-educated, middle-aged and middle-class men, producing popular decision rather than what is best decision and rewarding short-term decision making for a public demanding uncomplicated expediency. Sounds about right. Direct communication by internet and mobile phone has transformed attitudes to authority with WikiLeaks and Anonymous. The crisis of trust in Ireland was addressed by Byrne in 2011 in her project We the Citizens which shifted opinions, empowered through involvement and became accepting of negative change (i.e. tax increases) through expert testimony and deliberation. As she summarises, 'only the knowledgeable citizen can become the competent citizen.'
  
Tom Hickey, fellow in law at NUI Galway has the interesting title 'Civic Virtue, Autonomy and Religious Schools: What would Machiavelli do?'' which shows how a republican state seeks to maximise non-domination, empowering citizens but at the same time it must develop virtue in its citizens. this thick account of civic virtue can undermine liberty in citizens who differ in their values. Hickey cites the 2004 French law prohibiting wearing of conspicuous religious symbols. the education of young citizens, the extent of involvement of the state before it oppresses or errors in promoting the autonomous and secular citizen. The enormous debate concerning Religious Denominational schools is explored (a whole book in itself) and whether there is a case today fro religious schools at all.
Dearbhail McDonald, legal editor of The Irish Independent addresses the tough question of 'The Law and the Republic.' She reminds us that we are not alone in Europe in coming to terms with the idea of no longer being a self-determined state and asks whether the law is somehow not fit for purpose. As the design flaw of the European project led to a near collapse of the Irish economy, our innate sense of justice however has not been served by courts compelling governments to protect or identify new citizen rights. McDonald uses this platform to address the failure of legislation to adapt to modern societies needs, in particular that of abortion. Not shy of identifying failures in the legal system judicial ethics are discussed and the outdated unsatisfactory system of appointments. the role of the law is critical in re-imagining a new republic.
  
Fred Powell, professor of social policy at UCC addresses 'Citizens or Subjects? Civil Society and the Republic.' Citing the Occupy movement from 2011 and Haruki Murakami's novel IQ84, a world of surveillance and 'Little People', both illuminate the current world's dominance by unaccountable systems of power and citizens willingness to struggle against them. Grand historical narrative has lost its force. Political language, truth and power- those slippery words are addressed as are the advantages of 'strong democracy', taking responsibility for dramatic restoration or, as Citizen Smith would have said "Power to the People." Powell feels it is hard to see an end to Ireland's crisis; choices being pointless ideological austerity with all the other escape route having been closed equaling a political paralysis and a collapse of western liberalism.  To this end he sets out ten principles for citizenshp in the Second Republic.
Philip Pettit, professor of politics and human valuesat Princeton addresses 'Republican Reflections on the Occupy Movements.' Pettit was invited by Spanish Prime Minister Zapatero to assess his 2004-8 government's performance. A political system that failed the young people, he also identified his own mistakes in his naivety in the believing the international financial system would enable Spain to provide economic welfare and his failure to realise restrictions resulting from Spain's Eurozone membership.Riding the tiger, the reliance of governments on the international financial systems is addressed, radical responses, their mistakes and lessons to be drawn from the financial crisis. How we should respond to this crisis brings us back to the Occupy movements- giving expression to the peoples insistence that government should live up to the expectations. Generation of discussion on these topics will, Pettit trusts, make democracy a winner.
 
The final essay is by one of Ireland's leading poets Theo Dorgan, 'Law, Poetry and the Republic.' As Dorgan points out, the question of what to do 'with our poor battered republic' is a question that opens onto further questions. What is wrong needs to be diagnosed before proposing what is to be done. the people's alienation from the government dilutes the contract as does he claims the lack of connection between justice and law. Dorgan's discussion of the language of the law highlights its constraints by linguistic precedent which brings unease to people when faced by it. the reserved language of the law needs interpreters, and this schism between state and its language on one side and the people on the other. Dorgan's request is simply to find a 'dialogue between state and people in a living language.' His closing statement is quite monumental, 'lawyer and politician, poet and citizen, we face a common task. To build a right republic we must find the right words.'

This is not a book I would immediately pick up off the shelves but reading it I found myself quickly drawn into the essays, each cherently setting out the issue and arguing a solution or a pause for thought. The essays are reader-friendly and I found myself noting particular arguments to mull over later or sound out with others. Eight respected scholars have been brought together to discuss the important subject of the way forward after the demise of the Republic and we should sit up and take note.
Published by Faber and Faber
www.faber.co.uk